Spidey

Music

Dance Monkey - Tones And I

It’s about the pressure, exploitation, and loss of humanity Tones and I felt while performing as a street busker — where ..

Bad Guy - Billie Eilish

It’s a satire of “tough-guy” culture — a playful mockery of people who pretend to be dangerous, sexy, or intimidating. ..

Flowers - Miley Cyrus

It’s a self-empowerment song framed as a breakup narrative, but it’s really about emotional independence, ..

The script opens with a surreal, metaphysical prologue narrated by Stan Lee, explaining that ever since someone used the Infinity Gauntlet, reality has fractured into infinite threads. One key thread is the moment Peter Parker was bitten by the radioactive spider — but in this version, that pivotal "Bite" has somehow unraveled or shifted. We then follow a genetically altered spider as it chooses a new path/thread, leading us to Miles Morales’ universe.

Oscorp explodes in a massive fireball (implying Norman Osborn/Green Goblin involvement).

Harry Osborn watches the burning building from a limo, calling out “Dad!”

Jefferson Davis (Miles’ father), a SWAT officer, is on the scene and laments the deaths, including children “just like Miles.”

Cut to Miles Morales at home:

• He comes home from school, grabs a Capri Sun, flops on the couch, and scrolls through his phone (texts from Tyrone Johnson, Tandy Bowen, and Barbara Rodriguez).
• An unusual spider crawls from his workout bag onto the couch and bites his hand.
• Miles absently smacks it, notices the bite, rinses it, and puts ice on it.
• His mother Rio notices the bite looks infected immediately and tells him to stay home, but Miles ignores her, says he’s meeting friends, and rushes out (mentioning his dad wants to talk to him).

On the street:
Miles heads to the bus stop. As he waits, someone (Amadeus Cho) playfully snatches his backpack, shoves him, and escapes on the bus while grinning smugly.

Request a copy of the screenplay